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Borrowing in the Baldwin Partbooks: Compositional Afterlives in the Music of John Mundy
Introduction John Mundy’s settings of Dum transisset Sabatum and De lamentacione survive exclusively in the Baldwin partbooks (GB-Och Mus 979–983). Originally a set of six, the Baldwin partbooks preserve a wealth of musical material from both before and after the English Reformation. However, the tenor volume is missing, leaving much of the repertory incomplete. Some music has concordances…
