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  • Critical Reception Social Culture Sound Studies Voices
    Music and the Hackness Home Invasion: Hoby vs Eure in the Star Chamber

    Music and the Hackness Home Invasion: Hoby vs Eure in the Star Chamber

    [Item 15, single membrane (Interrogatories on behalf of Sir Thomas Posthumous Hoby)] dyd not the defendantes duringe the time that the plaintifes famely were soe att praiers as aforesaid stampe and trample with theire feete and thereby make an extraordinary noise over their heades and did they not therewithall make very extraordinary…

    July 4, 2025
  • Classicism Critical Reception Elements & Humours Harmony Instruments Social Culture Sound Studies Synaesthesia Theory Voices
    Too Many Cooks? John Wallis on the Palate, the Passions, and the Music of the ‘Ancients’

    Too Many Cooks? John Wallis on the Palate, the Passions, and the Music of the ‘Ancients’

    Dr. John Wallis discusses the diminished effects of music compared to ancient times, attributing this to hyperbole and changing musical contexts.

    April 28, 2025
  • Classicism Critical Reception Religion & Philosophy Sound Studies Speech & Pronunciation Theory Vocal Anatomy Voices
    Like to an Almaine flute: La Primaudaye on Voice and Speach

    Like to an Almaine flute: La Primaudaye on Voice and Speach

    The text explores the nature and significance of speech, emphasizing the tongue’s role as a vital instrument for communication and expression.

    February 20, 2025
  • Classism Critical Reception English Choral Tradition Presentism Speech & Pronunciation Vocal Production Voices
    The Oxbridge Hypothesis: Elitism in the English Revival of Early Music

    The Oxbridge Hypothesis: Elitism in the English Revival of Early Music

    The English choral tradition reflects socio-cultural elitism, influencing early music performance practices and perceptions of vocal authenticity today.

    February 1, 2024
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